And here we are.

After university, I landed a role in children’s book publishing, where I gained insights into the editorial process, marketing, and rights. I then moved into animation production, eager to learn on Tim Burton’s Corpse Bride.

During my time in publishing, I learned about Beatrix Potter and how she used the rights to her work to create a lasting legacy and support the causes and places she cared about.

It gave me an early understanding of the value of intellectual property and ownership, and how creative work can continue to matter long after its creator is gone.

On Corpse Bride, I worked as a runner, which included pushing a trolley through the studio, making tea and coffee for the crew, and stopping to chat and learn about their work.

After about six months, I landed a new role as a production assistant on a music video with legendary producer Rob Small.

The job went well, and afterwards Rob recommended me to produce my first music video.

The one where I had a freak-out that I couldn’t get the job done, but it all went well in the end.

Yes, that one.

Hungry for more opportunities, I went on to produce several music videos, short films, TV idents and some of the earliest content films for a sports brand, working with a really cool crew and travelling across Europe.

I had the time of my life for a few years. Jobs back-to-back, with hardly any breaks.

Then came the burnout.

My body shattered in bed; I had to crawl around to get about.

Luckily, it only lasted a few days, and I decided to start saying “No” to jobs.

Perfect timing too, as I then got married and we started our family. Two sons.

I became a mummy at the park and children’s centres, singing Row, Row, Row, Your Boat, and Zoom, Zoom, Zoom, We’re Going to the Moon.

I loved it.

I got to relive my childhood again with my boys.

On the way to drop my son off for his first day at primary school, I asked him what he wanted to be when he grew up.

He turned the question back to me.

“Mum, what would you like to be when you grow up?”

Realising it was time for me to return to work, I founded The Pitch Fanzine’s Pitch Magazine.

Championing the often-forgotten talent in production-land and introducing them to adland’s creative agencies and brands.

Lots of fun and insights.

Then Covid happened, and with the world in crisis, I felt this urge to uplift the creative people I had gathered in my world and lead them home to where I was happiest.

Jamaica.

And here we are.

The Pitch Fanzine is a live creative process and movement.

We are in a knowledge-sharing evolution, creating a new world.

Best wishes,

I am her.

Jamaican Freedom Fighter, for the people.

Fighting for the creative freedom of the Jamaican peopledem and Pitch Futures, our future creative talent.

I am human. I create from my own visions and ideas, reading culture and the world.™

Moving in Silence: Jamaica Tour 2027 – Deadline: October 30th, 2026.

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